This mesmerising table was first conceived by Christopher Duffy — and ultimately refined by the team at Duffy London — to represent a 3D geological map of an ocean floor. The Abyss Table makes use of contour lines, which are often used to denote topography in terrain maps, to render an island chain and ocean abyss.
Contour lines can be thought of as workaround for the 2D limitations of paper maps, but Duffy instead relished these simplifications which have become iconic imagery for the field of cartography. He incorporates layers of wood to represent the land, and panes of glass for the water, in order to produce a 3 dimensional geographical model.
Kendal Murray’s miniature sculptures stage dream-like narratives that are played out by microscopic identities with giant personalities. Short stories and tall tales are enacted in a range of playful and dramatic scenarios that are imbued with social, symbolic and personal meaning. Glass teapots, grass-covered purses, mirrored makeup compacts and open books set the stage for each scenario, offering the delight of the unexpected, the puzzle of a question and the possibility of a dream escape into make-believe worlds.